Srimad Bhagavad Gita: Thematic Categorisation of All 700 Shlokas
The Bhagavad Gita’s 700 shlokas are categorised into key themes based on their teachings. Each theme group has shlokas addressing similar concepts, with concise explanations and specific shloka references.
1. Arjuna’s Dilemma and Emotional Conflict
This theme covers Arjuna’s initial despair, moral confusion, and reluctance to fight, setting the stage for Krishna’s teachings.
Shlokas: 1.1-47 (Chapter 1), 2.1-10 (Chapter 2)
Explanation:
Dhritarashtra’s query and Sanjay’s description of the battlefield (1.1-11).
Duryodhana’s assessment of armies and conch shell signals (1.12-19).
Arjuna’s sorrow at seeing kin, fearing sin and societal ruin (1.20-38).
Arjuna’s refusal to fight, seeking Krishna’s guidance (1.39-47, 2.1-10).
Key Shlokas: 1.1 (Dhritarashtra’s question), 1.31-32 (Arjuna’s grief), 1.46 (Arjuna drops his bow), 2.7 (Arjuna surrenders as a disciple).
2. Nature of the Soul (Atman)
Krishna teaches the eternal, indestructible nature of the soul, distinct from the body.
1.24–25, 2.11, 4.5, 7.6, 9.11, 10.8, 11.32, 15.15, 18.61 Themes: Bhakti Yoga, Krishna’s Divine Nature Krishna: The Supreme Lord, incarnated as Arjuna’s charioteer and divine guide, delivering the Gita’s spiritual teachings. He reveals Himself as the eternal source, creator, and destroyer of all. Connection: Speaks in Chapters 1–18, primarily teaching…
This table maps all 700 shlokas of the Bhagavad Gita into 10 thematic categories, showing their distribution and overlaps among major philosophical themes. Sl. No. Theme Shlokas Total Overlaps 1 Arjuna’s Dilemma 1.1–1.47, 2.1–2.10 57 None 2 Nature of the Soul 2.11–2.30, 2.39, 2.55–2.57, 2.71–2.72, 3.42–3.43, ... 71 Jnana Yoga…
Chapter 1: Arjuna Vishada Yoga (Arjuna’s Dilemma) – 47 Shlokas The Gita opens on the Kurukshetra battlefield, where Arjuna is overwhelmed by grief at the prospect of fighting his kin, setting the stage for Krishna’s teachings. Shlokas 1.1-11: Dhritarashtra asks Sanjay about the events at Kurukshetra (1.1). Sanjay describes Duryodhana’s…